CINEMA PROTOCOL
// VISUAL FEED :: LOCAL THEATER DATA
// VISUAL FEED :: LOCAL THEATER DATA
A personal aide to U.S. Ambassador in France, James Reece (Jonathan Rhys Meyers) has an enviable life in Paris and a beautiful French girlfriend, but his real passion is his side job as a low-level operative for the CIA. All James wants is to become a bona fide agent and see some real action. So when he's offered his first senior-level assignment, he can't believe his good luck until he meets his new partner, special agent Charlie Wax (John Travolta) - a trigger-happy, wisecracking, loose cannon who's been sent to Paris to stop a terrorist attack. Wax leads James on a white-knuckle shooting spree through the Parisian underworld that has James praying for his desk job. But when James discovers he's a target of the same crime ring they're trying to bust, he realizes there's no turning back... and that Wax himself might be his only hope for making it through the next forty-eight hours alive.

During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller (Matt Damon) and his team of Army inspectors were dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that inverts the purpose of their mission. Spun by operatives with intersecting agendas, Miller must hunt through covert and faulty intelligence hidden on foreign soil for answers that will either clear a rogue regime or escalate a war in an unstable region. And at this blistering time and in this combustible place, he will find the most elusive weapon of all is the truth.

Otouto (original Japanese title, literal translation: "Younger Brother") tells the story of a never-do-well younger brother and his generous, open-hearted elder sister. The brother is the type who can never stay still and loves fooling around admiring the comedians and entertainers of Osaka, while the sister is strait-laced and lives in Tokyo. There is a reason the sister does not discard her younger brother: the death of her husband has left her despondent, and it is his bright cheer that saves her and sets her back on her feet. For her he can do nothing wrong, and since she is always on his side, she is his port in any storm. But an incident occurs which makes her break relations with him, sending him into deep despai Long time pass. When they finally reunite, the sister discovers that the brother is terminally ill. All is forgiven at this point. As she nurses him, he is able to face death with calm resolution. Nursing her brother through his last days, she again finds it in herself to accept him for what he is, and rediscovers her lost sense of generous toleration. For the two of them, his death is a new beginning, rather than an end. A good death meaning, as they say, a good life, the unflinching way in which they approach this death validates both their lives. The film show how it is possible for people to reinvent themselves, and is thus becomes a tale of reclamation...

An exhilarating homage to Hong Kong's action stars of yesteryear and Hong Kong cinema's action comedies, Gallants sees two have-been masters Leung Siu-lung and Chan Kwun-tai holed up in a village restaurant, tending their master in a coma. Trouble arrives in the form of a gang of roughs-diplomats of ruthless developers drooling over their property. The master wakes up with a start, and kick starts the old boys into action for home and country.
For filmmaker Rob Stewart, exploring sharks began as an underwater adventure. In an effort to protect sharks, Stewart teams up with renegade conservationist Paul Watson of the Sea Shepherd Conservation Society. Stewart discovers these magnificent creatures have gone from predator to prey, and how despite surviving the earth's history of mass extinctions, they could easily be wiped out within a few years due to human greed.

The fun, the fashion, the friendship: Sex And The City 2 brings it all back and more as Carrie (Sarah Jessica Parker), Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) take another bite out of The Big Apple - and beyond - carrying on with their busy lives and loves in a sequel that truly sparkles. What happens after you say "I do"? Life is everything the ladies ever wished it to be, but it wouldn't be Sex And The City if life didn't hold a few more surprises... this time in the form of a glamorous, sun-drenched adventure that whisks the women away from New York to one of the most luxurious, exotic and vivid places on earth, where the party never ends and there's something mysterious around every corner. It's an escape that comes exactly at the right moment for the four friends, who are finding themselves in - and fighting against - the traditional roles of marriage, motherhood and more. After all, sometimes you just have to get away with the girls.

"Yoriko, will you go out with me?" "Err... I should probably let you know up front, I am an Otaku. Are you cool with that?" "Fine, I don't care if you are an Ot..Otaku, or whatever. I love you." If only he had known then what Otaku meant. Having got the girl, nice, normal, Hinata finds himself thrust into Yoriko's Otaku world of die-hard passion for things like anime & Boys-love comics. Through a haze of sub-culture shock, he struggles to come to grips with a life of cosplay and butler cafes, and finds himself questioning whether there is any hope for two lovers with so little in common. Yoriko's hard-cord "indoctrination" of Hinata into the Otaku world, meanwhile, is a reaction to her previous boyfriend's rejection of it – and her. To prove his love, Hinata indulges her eccentricities, and gradually realizes that perhaps they could be his, too. But suddenly Yoriko is races with a difficult decision, and Hinata's love for her demands that he too, must choose...
Boy gets dumped, boy gets back girl and boy gets dumped bad. Fiona Sit and Jaycee Chan demo great chemistry as the fickle working class young couple dazzled by the opposite sex and fazed by that hazy thing called a better future.
The 33rd year of the "Showa" era - 1958 - when Tokyo Tower is just about to be completed. On Third Street in Yuhi (literally, 'the evening sun') District, an old residential area of Tokyo, a variety of characters live their daily lives. There's a grocery shop, a variety store, a barber... The street is always filled with laughter and joy. Suzuki Norifumi (Tsutsumi Shin'ichi) owns a small auto body shop named "Suzuki Auto", where he works and lives with his beloved wife Tomoe (Yakushimaru Hiroko) and naughty son Ippei. One day, he comes back home with a new employee, Mutsuko (Horikita Maki). Mutsuko applied for the job and came all the way to Tokyo from her hometown, bringing along a group of 16-year-olds also looking for work. She expected "Suzuki Auto" to be a big corporation, so she's a little disappointed with the small and rather shabby shop in the old district of Tokyo. Another unique resident on Third Street is Chagawa Ryunosuke (Yoshioka Hidetaka), the owner of the candy store across the street from Suzuki Auto. Ryunosuke and Norifumi have known each other since they were kids, and they always argue. Ryunosuke was once a finalist in a famous novel competition, but now he only writes pulp fiction for cheap juvenile magazines, but he manages to earn a living from the writing and his shop. He is secretly in love with new neighbour Hiromi (Koyuki), who opens a small sake bar on the street. One day, Hiromi is asked by her old friend to look after a small boy, Jun'nosuke, who has no place to go. When Ryunosuke gets drunk at her bar, she takes advantage of the situation and convinces him to let the boy stay with him. What will happen to the Suzukis and Mutsuko, who becomes a new family member at their house? And what kind of life will Jun'nosuke and Ryunosuke have? What does the future hold for the residents of Third Street?

Spring of 1959. This is the year that the hosting of the Tokyo Olympics was confirmed and Japan took a step into its age of high-speed economic growth. Chagawa lives with Junnosuke, still thinking of Hiromi who had left without a word. One day, Kawabuchi returns to Chagawa to take Junnosuke back again. He gives in after realizing Chagawa's strong feelings for Junnosuke and leaves saying "If I ever get convinced that Junnosuke is not living a decent life, then I will make sure to take him home with me" Meanwhile, at Suzuki Auto, Mutsuko can now work very well on her own and the business is starting to expand nicely. Then a new member joins the family. Norifumi's relative, Suzuki Daisaku, has failed in his business and his daughter, Mika is sent to the Suzukis for awhile. Although Ippei is not too happy about her staying with the family, Norifumi, Tomoe and Mutsuko all welcome her. However, Mika had always lived in comfort and is struggling to accept her new life without housekeepers. Mutsuko comes across with Nakayama Takeo (Asari Yosuke) who came to Tokyo with her in the same mass employment group. She doesn't find it altogether bad when the tobacco shop owner, Kin (Motai Masako) who happened to be there teased them. And Dr. Takuma (Miura Tomokazu) is luring foxes with Yakitori on a footpath near a shrine in hope of getting bewitched again.

Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation.Entering a windowless room, an Invigilator gives them eighty minutes to answer one simple question. He outlines three rules they must obey or be disqualified: don't talk to him or the armed guard by the door, don’t spoil their papers and don't leave the room. He starts the clock and leaves. The candidates turn over their question papers, only to find... they're completely blank. Tensions rise as the clock steadily descends towards zero and one candidate after the other is expelled for breaking the rules. In the course of this exam each candidate must decide how far they are willing to go to win the ultimate job...

Hot Tub Time Machine follows a group of best friends who've become bored with their adult lives: Adam (John Cusack) has been dumped by his girlfriend; Lou (Rob Corddry) is a party guy who can't find the party; Nick's (Craig Robinson) wife controls his every move; and video game-obsessed Jacob (Clark Duke) won't leave his basement. After a crazy night of drinking in a ski resort hot tub, the men wake up, heads pounding, in the year 1986. This is their chance to kick some past and change their futures - one will find a new love life, one will learn to stand up for himself with the ladies, one will find his mojo, and one will make sure he still exists!

The film recounts Joan Jett (Kristen Stewart) and her friend Cherie Currie's (Dakota Fanning) rise from rebellious Southern California teens to headliners of the now-legendary group that paved the way for future generations of girl bands. Guitarist-singer Joan, drummer Sandy West and lead guitarist Lita Ford join forces with singer Cherie under the Svengali-like influence of rock impresario Kim Fowley (Michael Shannon). With her home life in tatters, Cherie adopts the band as her new family - especially Joan, who becomes her partner-in-crime and sometime lover. With its tough-chick image and raw talent, the band quickly earns a name for itself - and so do its two leads: Joan is the band's pure rock 'n' roll heart, while Cherie, with her Bowie-Bardot looks, is cast in the role of sex kitten. But during a tour of Japan at the peak of the band's quaalude-popping success, drugs and personality clashes drive a wedge between the girls that build to a flash point, leading to an emotional and surprising conclusion. The Runaways is the story of two troubled teenage girls whose turbulent friendship becomes the stuff of rock 'n' roll legend.

Jeong-hye is sentenced to serve 10 years in prison after killing her abusive husband. Shortly after she is put in jail, she gives birth to a child who she must give up for adoption after 18 months, in accordance with the law. One day, Jeong-hye hears a visiting choir's performance. Deeply affected by the music, she resolves to organize her own choir in the prison and through it, she is offered the possibility of earning a special day out with her son.For her child who has never seen the world outside the prison walls, Jeong-hye sets out to persuade the skeptical inmates into joining the choir. Also joining in the harmony are her prison mate Moon-ok, a former music professor on death row, and a night club singer, Hwa-ja; a professional wrestler, Yeon-sil and Yu-mi, a young soprano with a dark past.Following months of ardent practice, what started as an unlikely hodgepodge of prisoners steadily gains a sense of musical coherence and they manage to put together a successful performance. Jeong-hye gets her outing with her son but the dreaded 18-months deadline approaches and she shares a regretful farewell with her son.
Terence (Nicolas Cage) is a rogue detective who is as devoted to his job as he is at scoring drugs - while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina he becomes a high-functioning drug addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (Eva Mendes). Together they descend into their own world marked by desire, compulsion, and conscience.

Chloe is a suspenseful story of love and betrayal. When Catherine (Julianne Moore), a successful doctor, begins to question her husband David's (Liam Neeson) fidelity, she sets out to resolve her suspicions with the help of an alluring young woman, Chloe (Amanda Seyfried). Soon caught in a web of sexual desire, Catherine finds herself on a journey that places her family in great danger.

Hiroko has spent most of her 25 years failing at everything - her school yard nickname was "Biriko" (literally meaning "last place girl") but for the first time in her life, luck seems to be on her side. She is set to marry the man of her dreams: the rich, handsome and charming Kenichi. On the day before her wedding, however, her jinxed fate plays its mean hand once again and she ends up accidentally killing her landlord. Hiroko despairs at the cruelty of fate but she cannot allow it to ruin her big day for the sake of her grandfather. Now in failing health, grandfather's last wish is to see Hiroko in a wedding dress. Disappointing him is not an option! Determined to go through with her wedding as planned, she resorts to the unthinkable. "Hide the body until the end of the ceremony!" Hiroko packs the body in a suitcase and drives to a deep forest near Mount Fuji. While on search for a place to hide the body, something hits the hood of her car. It's a woman with a rope around her neck. After another failed suicide attempt, the woman starts to sing: "I failed again. I cannot die!" Kobayashi Fukuko is a beautiful lady who has never been lucky in love. She unsuccessfully plots suicide every time she is rejected by a man. A woman who's desperate to marry and a woman who's desperate to die Kobayashi offers to help Hiroko dispose of the body - if Hiroko will help Kobayashi commit suicide. Hiroko is appalled by this proposition, but before the negotiations go any further, the two women learn they are not alone in the forest. The partnership doesn't run smoothly and soon, they find themselves being chased by a menacing biker gang, the hit men and a frantic police man on a bicycle. Through a series of events involving a lodge owner, a singing star, her devoted fan and a gorilla suit, a weird friendship begins to build, as Hiroko strives to make it to the altar the next day. Will Hiroko be able to have a wedding? Will Kobayashi find a new reason for hope? And, what will become of the corpse...?

Wu Jia Qian (Kelly Lin) has just opened a marketing company in Shanghai but the business has been going rather slow and one day she manages to meet up and have discussion with a local rich entrepreneur Zeng Tian Gao (Sun Hong Lei). At the same time Zeng is pursuing famous Hong Kong actress, Fang Na (Hong Xiao Ling). Seeing that he desperately needs to transform his rustic image in order to woo Fang Na, he decides to employ Wu as his personal image consultant. In the beginning Wu uses corporate punishment to correct his smoking habit and holds separate lectures to teach him from astronomy to geography as well as allowing him to learn a variety of upper-class hobbies.

LT is the leader of the best hip-pop dance crew in town, and they call themselves ENCORE. ENCORE is the most famous crew in the circle of hip-pop, and frequently they are challenged by crews from out-of-the-town. Nevertheless, LT and his men have never lost a battle. Very soon, this crew is discovered by Ye, the boss of a entertainment company, and who is very interested in owning Encore crew...
As Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob - knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella has one more decision to make: life or death.